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Showing posts with label Comedy. Show all posts
Showing posts with label Comedy. Show all posts

Tuesday, 31 January 2012

Clowns and Red Faces: Comedy Pakistan Style

Ayaz Amir on 27, Jan 2012 | 16 Comments | in Category: Insight

Ayaz Amirmem1

Coming from a dubious salesman a shady communication treated as Holy Scripture. Only we could do this, without stopping to think what it says about us: a nation of chumps hard put to smell the difference between the earth-shaking and the trivial.

The cast of characters in the memo affair couldn’t get more sublime: chief of the army, chief spymaster, shining jurists, a posse of media wizards with flecks of froth on their angry faces, two reputed politicos with pretensions of reformism not only buying into the conspiracy tale called Memogate but scarcely pausing before becoming its leading champions, one of the reformers taking this joke to the Supreme Court, thus lending it weight and respectability.

The generals in question have a reputation for deep thinking. Hmm. If these are the fruits of deep thought the alternative is best left to the imagination. There is no shortage of comics, or call them patriots, who say this is a God-gifted country. That may be so but did the Most High also gift us our priceless sense of humour?

An adventurer who has now gone a bit quiet but who had everyone dancing to his tune manages to take an entire nation for a ride. If he had a heady feeling he can be forgiven. But why blame the nation? Ordinary folk have a better grasp of reality. Mansoor Ijaz’s shenanigans, for that is what they were from day one, fooled the Pakistani establishment, or at least parts thereof.

But wait, it gets richer. Mansoor was the man who made his column-writing and chat-show reputation in the United States by maligning the Pakistan army and ISI. And he becomes the ISI’s star witness in the memo affair. Nor is this all. When everything hangs on his appearance before the Supreme Court-ordered investigation commission, comprising three heavyweight lordships, Mansoor puts the last nail in the embarrassment of his various champions by refusing to appear.

His counsel Akram Sheikh, Falstaff sans the wit or humour but unwittingly funny in his own right, goes into contortions of rage trying to explain why Mansoor cannot come while Interior Minister Rehman Malik, scarcely able to control his laughter, says adequate security, yes, but if Mansoor wanted band and baaje (instruments) on his arrival that was a bit difficult.

There are laws against contempt, and rightly so. May not the time have come for a law against self-inflicted ridicule? For this is what has happened in the memo affair: Pakistan’s leading institutions going out of their way to invite scorn and laughter. And all because of that one ambition embedded deep in the genetic code of the Pakistani establishment: the desire for political engineering.

Pakistan’s best and brightest and, it has to be said, the not-so-bright, thought that Mansoor Ijaz’s memo was their chance, what they had been seeking and not getting these past three years. So casting ordinary judgment aside they seized it and made heavy weather of it, turning an absurdity into a high-stakes drama, convinced that with only a little pushing the walls they wanted to bring down would come tumbling down, and the long desired for change would happen at the top…as muffled drums beat a military tattoo in the background.

But the walls, for all the cracks in their facade, have withstood the shocks administered to them, and the prime instigator of this affair, the international financier with a yen for intrigue and publicity, has been exposed as the charlatan many suspected him to be all along, his word taken seriously only by certified dupes.

Hardly surprising in the circumstances if there are a lot of red faces around, trying as best they can to hide their embarrassment and figure out what has hit them. It takes time for emperors to be stripped of their clothes. But this de-stripping has occurred at astonishing speed: one moment national balloons full of pomp and righteous anger, the next moment the sound of gas escaping…the balloon deflated.

But, sobering thought: paladins supposed to be guardians of the truth (as enshrined in the law), keepers of the national flame, defenders of ideology, protectors of our nuclear secrets, thus exposed. Sets one thinking about the quality of our heroes. If this is the best we have what might be our worst?

When Admiral Mike Mullen, no enemy of Pakistan, said that he did not consider Mansoor’s communication worthy of serious notice, when Gen James Jones said much the same, going on to add in the same breath that Pakistan seemed a country bent on self-destruction, shouldn’t our good and great have paid some heed to these caveats? Instead, in full possession of their senses, they chose to make clowns of themselves. Conscious clowns can be intelligent souls, circus lore testifying to this circumstance. But unwitting clowns are a different thing altogether.

Never reinforce failure is a maxim on the lips of even half-educated military men. There is nothing to be mined from this affair except more ignominy and ridicule. It is time to pull up the tents, close this particular adventure camp and move on.

Zardari and company may deserve purgatory. They may deserve something more. But if the desire for political engineering remains irresistible, as it has been these past 65 years, there should be other ways of achieving it. Elections are the prime means of change around the globe, except in those forgotten corners where the sun of democracy, with all its blemishes, has yet to rise. Elections were very much a part of the divine scheme of things, as we like to believe, which led to the creation of what in our more fervent moments we still like to call the fortress of Islam. Why not, for once in our benighted history, give elections a chance?

Meanwhile a measure of penance and humility may do all concerned some good, even if humility is not amongst the prime Pakistani virtues. The General Staff is unassailable, so let us keep it out of the equation, humility certainly not a construction material widely used in General Headquarters. But like the Roman custom of a slave whispering into the ear of a triumphant emperor, “Remember, Caesar, thou art mortal,” it may not be such a bad idea to put up a bust of Mansoor Ijaz in the foyer of ISI headquarters in Aabpara as a cautionary reminder that even the best are not above making asses of themselves.

About the guardians of the law, a temporary vow of silence – perish the thought of anything more permanent – may be in order.

Imran Khan, living up to his reputation of being a slow learner, continues to harp on the theme of getting to the bottom of the memo affair. What will it take to convince him that this is the bottom? Nawaz Sharif, considerably smarter, is already walking away himself from this saga as if he had nothing to do with it, although one of his lawyers, Mustafa Ramday, is still saying that the commission could travel abroad to get Mansoor Ijaz’s statement. Why does the name Ramday send a shiver down my spine? Are we missing some connection?

Media warriors are a tougher lot. It won’t take them long to simply shrug off their embarrassment and say that the anti-climax we are seeing is part of a sordid deal. Between exactly whom we know not for sure, but a deal still…you get the point. It could even be part of yet another American plot.

It won’t be long before these gladiators take to their swords and trumpets again, to lift the veil of secrecy over the next conspiracy against national security. This is just an intermission. The show goes on.

Friday, 6 January 2012

Tina Fey On Life, Motherhood, Writing And Comedy

Audio for this story from Fresh Air from WHYY will be available at approx. 5:00 p.m. ET

January 6, 2012

"I was worried about being the mouthpiece for anyone and being politicized personally," Tina Fey says about playing Sarah Palin on Saturday Night Live. "It ended up being a lot of fun, but it did permanently politicize me in a way." Enlarge Platon/HGB USA

"I was worried about being the mouthpiece for anyone and being politicized personally," Tina Fey says about playing Sarah Palin on Saturday Night Live. "It ended up being a lot of fun, but it did permanently politicize me in a way."

"I was worried about being the mouthpiece for anyone and being politicized personally," Tina Fey says about playing Sarah Palin on Saturday Night Live. "It ended up being a lot of fun, but it did permanently politicize me in a way." Platon/HGB USA "I was worried about being the mouthpiece for anyone and being politicized personally," Tina Fey says about playing Sarah Palin on Saturday Night Live. "It ended up being a lot of fun, but it did permanently politicize me in a way."

This interview was originally broadcast on April 13, 2011. Bossypants is now available in paperback.

Tina Fey grew up in a household with parents she has described as "Goldwater Republicans with pre-Norman Lear racial attitudes."

But, she says, her parents were always supportive of her career, even when she told them she was moving to Chicago to start a career in improv.

"To their credit, they never said, 'You like entertainment. Are you sure you don't want to be an entertainment lawyer?' " she tells Fresh Air's Terry Gross. "[They understood] me wanting to pursue this before I had commitments, before I had a family. And I think they knew that neither my brother nor I would ever come back to them destitute."

Fey grew up to become Saturday Night Live's first female head writer as well as the star and executive producer of NBC's sitcom 30 Rock. Now, she's also a published author. Her new memoir Bossypants contains her thoughts on juggling her roles as actor, daughter, mother, writer and boss on the sets of both SNL and 30 Rock.

Writing Sketches

When Fey first arrived on the set of Saturday Night Live as a writer in 1997, she says, it initially took her a while to feel comfortable with herself in the writer's room.

"My first week, I completely froze," she says. "I couldn't think of anything. It was just too fast a gear shift. ... So I had some pieces that I had written trying to get the job, and I ended up turning them in. And the next week, I think I was able to write something and turn it in. And the week after that maybe, I wrote something that made its way to the dress rehearsal."

Bossypants

Three years later, Fey began co-anchoring the Weekend Update segment with Jimmy Fallon. She says she enjoyed the transition.

"It's very fun to be a writer at Saturday Night Live, but it's more fun to do both," she says. "When you're a writer and you hit that after-show party, you're exhausted and you maybe combed your hair and you maybe bought yourself something at Ann Taylor. But if you're on the show, you're all fancy. So in that most basic level, it was an upgrade in the job."

But anchoring Weekend Update also meant something else: Fey's sketches could never get cut. "You never have that fear and disappointment that the sketch players have," she says. "And it's the only segment week after week where you look directly into the camera and tell America your name, because a lot of times, I realize now, you see the sketch players in wigs, and if they're new, you go, 'Wait, which guy is that?' On Update, you look like yourself, and every week you say, 'Hi, this is me.' So it's career-changing."

Working With Sen. John McCain

Even as Fey began to do on-air work, she still wrote segments for the show, often helping the guest hosts with their opening monologue and sketches. One of her favorite guest hosts was Arizona Sen. John McCain.

"Sometimes when you have a person all-the-way not an actor, it's just delightful to watch them be game and try," she says. "We all liked him tremendously."

In 2004, Fey and McCain did a nonpartisan get-out-the-vote photo shoot for Life magazine in Washington, D.C., and McCain gave both Fey and her husband a tour of the Capitol.

"[SNL creator] Lorne Michaels always reminds me that Sen. McCain has that [photo] framed in his office," she says. "[Lorne] thinks subliminally that that's why he liked Sarah Palin when he saw her — because he was used to looking at me standing next to him in that picture."

Fey has received seven Emmy Awards, three Golden Globes and four Writers Guild of America Awards. In 2010, she received the Mark Twain Prize for American Humor, becoming the youngest-ever recipient of that award.

On her birth

"[My mom] was 39 when she delivered me. I think she had had my brother eight years earlier, and then in 1960s medicine, they had told her at some point, 'Oh, no, you're done. Don't even worry about it, dear. You're out of business.' And so I was a surprise."

On the criticism she got for playing Sarah Palin

"You can find this freshly posted as of yesterday. 'She should be ashamed of what she did to Sarah Palin,' which I think is a discredit to both me and former Gov. Palin. She's not fragile. And I'm not mean. And to imply otherwise is a disservice to us both. No one ever said, 'Oh, that Will Ferrell. He should be ashamed of the way he's conducting himself playing George W. Bush.' No one would ever say that."

On working with Alec Baldwin and Tracy Morgan

"They are different. It's funny because it's rare that we're all three together. The way that things are scheduled, I'll go on and it's either a day of all me and Alec ... or all me and Tracy. It's fun when we're all together ... but we kind of know each other by now, and we know the rhythm of who likes to shoot their coverage first and who likes to wait and go second."

On her mother forcing her to try on a bra over her clothes in J.C. Penney

"At the time it was horrifying. And I developed very early. I was probably in fifth grade getting a bra. I developed breasts so early and so strangely high that the bra was more to clarify what they were. That they were not a goiter or something. It was mortifying, but I can absolutely see making that same mistake because you transition as a mother from literally just pulling a booger out of that person's nose whenever you see one until at some point they assert: 'No, I'm a person. You can't fix my underpants on the subway.' "

On how women present themselves in comedy

"It's just such a tangled-up issue, the way women present themselves — whether or not they choose to put their thumbs in their panties on the cover of Maxim and judge each other back and forth on it. It's a complicated issue, and we didn't go much further on saying anything other than to say, 'Yeah, it's a complicated issue and we're all kind of figuring it out as we go.'

"In the episode [of 30 Rock called "TGS Hates Women"], we have a fake website called Joanofsnark.com that the women at Jezebel.com immediately recognized that it was their website basically and it was ... I don't have the answer. But I find it interesting that Olivia [Munn, a correspondent on The Daily Show] gets people who go after her on some of these sites because she's beautiful, and that's part of it. I think if she were kind of an aggressive, heavier girl with a Le Tigre mustache posing in her underpants, people would be like, 'That's amazing. Good for you.' But because she's very beautiful, people are like, 'You're using that.' It's a mess. We can't figure it out."

On her favorite Saturday Night Live hosts

"Alec Baldwin was always a pleasure [to write for]. Queen Latifah ... and Gwyneth Paltrow has a great ear or instinct for sketch comedy, because you have to make a quick choice and go with it and she was really good. Ben Affleck was really good."

On working with Tracy Morgan

"He's very pleasant. His mood is always pleasant. His health is an issue. He had a kidney transplant this year and he continues to struggle with diabetes, so that's probably the biggest challenge. He's trying and doing his best, but I've had so many conversations with him where I'm like, 'Buddy. You can't have a 20-piece McNugget meal.' And he's genuinely like, 'Really?' And, of course, I don't know what he's supposed to eat.

"But in terms of his desire to be [on 30 Rock] and his attitude, he's always great. I mean, he has a completely different background in terms of training or what he brings than someone like Alec or Jane [Krakowski] who come from the theater. But I feel like I've known [Morgan] a long time now, and I feel like I know how he likes to work, and I like to shoot with him because I feel like I can kind of get his best performance out of him."


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